published by Amateur Press
June 2025
Images build through repetition, erasure, overlay. The surface of the work is a site of accumulation. Rust, residue, gesture all sit in relation in these images. The Light Gets In reads as a visual whisper, modest in scale, but precise in its resonance. It’s less about declaring a moment, and more about holding space for one to emerge. What’s revealed isn’t the scene itself, but how the artist moves through it carefully, and responsively, which highlights the relationship between place and memory. What is prescribed and overlaid versus what is inherited and naturalized.